“Music is a moral law. It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, and life to everything. It is the essence of order, and leads to all that is good, just and beautiful, of which it is the invisible, but nevertheless dazzling, passionate, and eternal form.”
Plato

Friday, December 2, 2016

Bach Trills: How Many Notes Are Too Many?

   My student thought that a trill in Bach had to consist of an even number of notes.  He thought it should be duple and that triple was not correct. This gave me pause, as it had never come up before. Here is my rule: Like all ornaments indicated with a symbol, the trill must be given a place in time. Yes? The composer doesn't tell us how many notes or what rhythm they should have. Sometimes it isn't even clear exactly what pitches to play. So, our
job is to decide on how many notes will fit into the allotted space still sounding clear, emphasis on clear. Obviously, the tempo and character of the movement hold sway over this decision. The next step, of course, is to decide how those notes fit with the other parts.
   Here is the example in question, from the first invention.
Bach Invention No. 1.
I play the trills as indicated in the first example, which is in a slightly faster tempo. The second example is, of course, also possible in a somewhat slower tempo. The main objective is clarity and expressive logic. An ornament should never sound as if someone just pushed you in the back.
Two ways to play the trill.
   










For more on this topic, see Stannard, Neil, Demystifying Bach at the Piano: Problem Solving in the Inventions and Sinfonias, CreateSpace, 2016.
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